(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

James Terrell is a multi-disciplinary artist based in Northeast, Washington, DC. His paintings incorporate ideas of ancestry and identity alongside formal concerns of color and composition. Terrell holds a MFA in painting from Parsons School of Design and a BFA from Howard University. He has exhibited throughout Washington, DC for over 15 years, including at the Smithsonian Anacostia Community Museum and the Howard University Gallery of Fine Art. He works as an art teacher in the DC Public Schools. The Honfleur Gallery presented James Terrell with the 2017 East of the River Distinguished Artist Award. The Honfleur Gallery exemplifies high standards of art and culture from across the city and nation. In 2012, the East of the River Distinguished Artist Award was created, to celebrate the exemplary caliber of artists from Ward 7 and 8.

(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

Born in Long Island, NY Christopher Udemezue has shown at a variety of galleries and museums, including the New Museum, Queens Museum of Art, Brooklyn Arts Exchange, AC Institute Art Gallery, and Envoy Enterprises. Christopher has been featured in New York magazine, The New Yorker, Artnet news, Gayletter magazine, Brooklyn Rail magazine, Afro Punk, Style.com and OUT Magazine. As the lead organizing member in the art collective House of Ladosha, Christopher’s work explores queer issues as they intertwine with the social politics of communities of color. His recent body of work utilizes his Jamaican heritage and the complexities of gender identity, desire, tragedy through personal and public mythology and public lynching as a primary source. As the founder of the platform RAGGA NYC, Christopher completed a residency with the New Museum “All The Threatened And Delicious Things Joining One Another” in June 2017, exploring Afro-Caribbean diasporic traditions, bringing together works by a group of artists who trace their own relationships to Caribbean history.

(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

Raquel de Anda is a curator, producer, and cultural organizer based in Brooklyn, NY. Born and raised on the U.S. Mexico border, much of her work approaches themes of duality, connection, separation, inclusion and the intersections of migrant rights with other movements for social justice. She is a firm believer in the power of art and culture to ignite social change. Raquel began her career as Associate Curator at Galería de la Raza, a contemporary Latino arts organization in San Francisco, CA. Her work spans a variety of practices, including designing an interactive installation at the Tribeca Film Festival, curating exhibitions at Project Row Houses (Houston, TX) and The Museum of the Americas (Washington DC), and overseeing creative production for the historic People’s Climate March (New York City). In 2014, de Anda was awarded the Robert Rauschenberg Artist as Activist Fellow as part of her work with People’s Climate Arts Collective. De Anda received an MS from Parsons School of Design, with a focus on integrating cultural equity in the field of arts and culture. She is currently Director of Public Engagement at No Longer Empty, an organization that activates engagement with art and social issues through site-responsive exhibitions, education, and cultural programs.

(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

Kim Jenkins specializes in the sociocultural and historical influences behind why we wear what we wear, specifically addressing how politics, psychology, race, and gender shapes the way we ‘fashion’ our identity. She is a part-time lecturer at Parsons School of Design, Visiting Assistant Professor at Pratt Institute, and amongst the pioneering cohort of graduates from the MA Fashion Studies program at Parsons. In Fall 2016, Kim debuted the undergraduate course “Fashion and Race” at Parsons, examining the implications of the social construct of race in fashion history, business and image-making.

(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

Sara Jimenez is a multi-disciplinary Filipina-Canadian artist, currently living and working in New York. Through performance, installation, sculpture, and drawing, she investigates relationships between material impermanence and transcultural memory. Throughout her projects, she is interested in complicating and reimagining existing narratives around concepts of home, absence, and origins.

Jimenez received her BA from the University of Toronto (2008) and her MFA from Parsons School of Design (2013). Residencies include Brooklyn Art Space (2014), Wave Hill’s Winter Workspace (2015), a full artist fellowship to The Vermont Studio Center (2016), and the Bronx Museum’s AIM program (2016). Jimenez has exhibited at the Pinto Art Museum (Philippines), Rush Arts Gallery (NY), BRIC Gallery, FiveMyles Gallery, the Brooklyn Museum, and Wayfarers Gallery (NY), among others. She has performed numerous venues including The Noguchi Museum, Dixon Place, and Smack Mellon. Most recently, Jimenez exhibited at the Bronx Museum as part of the AIM Biennial.

(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

Jeana Lindo was born in Miami, Florida and spent most of her life between Pembroke Pines, Florida, and Kingston, Jamaica. She is a multimedia artist who majored in Photography at Parsons School of Design in New York City. Her large family and travel experiences inform her work which is focused on cultural identity and social issues. Through her art, Jeana intends to expand ideas of contemporary Jamaican art and stories from the African diaspora.

(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

Rikki Byrd is a writer, educator, and scholar, with research interests in Black studies, fashion history and cultural studies. She received her Bachelor of Journalism from the University of Missouri and her Master of Arts in Fashion Studies from Parsons School of Design. Her master’s thesis, Black the Color We Wear, explores how blackness is centered in popular culture and offers a new approach to reimagining dialogue concerning the black body. Since then, her research has led her to create innovative spaces to engage students, scholars, and industry professionals in conversations on race and representation. Rikki is the co-founder and co-editor of the Fashion and Race Syllabus with Parsons alum Kimberly Jenkins.

(under)REPRESENT(ed) is an exhibition that features Parsons alumni of color whose creative practices explore the lived experience of race and aim to dismantle systems of racism.

Salome Asega is a Brooklyn-based artist and researcher whose practice celebrates dissensus and multivocality. She is the co-host of speculative talk show Hyperopia: 20/30 Vision on bel-air radio and the Assistant Director of POWRPLNT, a digital art collaboratory. Salome has participated in residencies and fellowships at Eyebeam, New Museum, and the Laundromat Project. She also has given presentations at New Inc, Performa, Eyeo, and the Schomburg Center. Salome is currently showing work in the 11th Shanghai Biennale. She received her MFA from Parsons School of Design at The New School in Design and Technology and her BA from New York University in Social Practice.